28 Aug 2010

The Android Invasion

“What are the odds of finding a pocket full of coins all dated the same?”aa53

The Android Invasion has a real soft spot in my heart for a number of reasons but the main one is  the slightly unsettling and yet slightly exciting feel you get with it. The Doctor and Sarah land on what appears to be Earth, or at least somewhere that’s starting exporting acorns. Something very odd is going on, in the undergrowth are men dressed in what looks to be radiation suits, UNIT officers throwing themselves off cliffs and calendars all reading the same date.

 

The story uses a simple premise excellently, making use of the abandoned village motif, the scare tactics are utilised through small anomalies such as dead telephones, clockwork men and eternal calendars, causing the Doctor to utter “the village with no future”. One good scene to help illustrate this is following the return of the zombie like residents of the village, a pub full of them sit there silently until the clock finishes chiming eight, then all revive as if Beepboopybeep nothing was ever amiss. As is the job of the companion Sarah is soon discovered, and despite her best attempts to make small talk with a tavern full of less than impressed patrons, she decides it best to make herself scarce.

 

Prior to the catatonic locals making themselves known, the pub scene is home to some rather unsettling speculation. The pub, much like the village of Devesham is abandoned, and the same freshly minted coins are found by the Doctor in the cash register as were found on the dead UNIT soldier. Upon prompting by Sarah the Doctor makes an unsettling hypothesis that some sort of radioactive contaminant could be behind the evacuation of the village.

 

The village itself is quite familiar to Sarah, as she had to do an article on it a number of years back and still remembers her reasons for coming along: the village is home to a space centre with some dodgy goings on. With this information the Doctor decides to head on. Sarah in the meantime makes a number of other unsettling discoveries. Firstly the white suited men aren’t human. Nor are they alien. They’re machine. Fleeing in fear Sarah comes back upon the TARDIS, whereby she discovers a pod nearby. Whilst indulging her curiosity, the TARDIS takes off, and the occupant of the pod attacks Sarah.

 

The design of the  episode is surprisingly unsettling for the time. The design of the androids is chilling, mainly down to those boggling eyes that are revealed from Sarah’s duplicate. This brings me onto the subject of her copy, and it’s apparent lack of purpose. The duplicate as we are to be made aware is there for the purpose of creating the classic doppelganger situation, however the early reveal of her as an android ruins much of the potential for the character. Whilst the initial shock when she trips up by claiming ginger beer was “delicious” when earlier the real Sarah stated she hated the stuff makes for a quick heart flutter, but doesn’t really help the story along much.

 

The biggest design casualty this story has to offer is the Kraals, "What d'ya mean I look like a burnt pancake that's been scraped off the ceiling?!" which just look like melted Sontarans that have shaved and then been mauled by a lion, as it is they lack both originality and impact, and would have been better being kept obscure, possibly with a cloth thrown over their heads or something, just not what they were, which was a face that’s been vomited on and then run over by a lorry.

 

Of course, if I think this story is so good, why then do I have so little to say for it? Well the reason is that this story is a jacket potato – simple yet satisfying. If I were to go on further I’d probably just ruin what really is a good story so long as it’s kept fresh, so go, watch and enjoy, it’s classic classic Who.

Season 18 Marathon coming soon.

 

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Season 18 was big for many reasons, amongst them was the first season produced by the infamous John Nathan-Turner and the last to feature the long standing Tom Baker in the role. Romana finally leaves, the Fifth Doctor’s famous companions make their first appearances, that controversial burgundy costume and K-9 took an almighty pounding. Along with reviews there will be in depth looks at some of the aspects of the season, such as the changes brought about to ‘update’ the series and the return of one of the Doctor’s biggest enemies. All that and I still need to allocate episodes to writers…

26 Aug 2010

Last day to enter!


The catpin competition closes on 28/08/2010 at midnight, get your entries in!

Spot the references to the Sixth Doctor in the logo below:

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Send your answers to: whatdoyaputinherethen@hotmail.com

Regeneration: Pressure to leave?

Regeneration is one of the corner stones of Doctor Who, it’s certainly helped to keep it alive for the 47 years it’s racked up so far, but does this miraculous concept have a darker side, is it in fact hastening the demise of the show? Each actor has averaged about 3 years, which seems to be the standard in the role, so if the role of the Doctor is so coveted and such a dream job, why does everyone who plays him seem so keen to leave?


When comparing Doctor Who to other dramas this question seems to become more baffling, as most successful dramas seem to engender a longevity with it’s cast. House for example recently finished it’s sixth season, all the while with Hugh Laurie at the helm. That’s not to say Laurie is utterly rejoiced with the part, as when asked whether he would continue on as House, he replied yes for a few more seasons, but did complain having to feign a limp was beginning to do actual damage to his leg.


Yet Hugh soldiers on, and he’s not the only one, Blackadder, a BBC sitcom to feature Laurie ran between 1983 until 1989, all the time with Rowan Atkinson, who as well as appearing as the titular character for 6 years, continues to this day to appear as his world famous Mr. Bean, having created the character a year later in 1990.


In 1984 Angela Lansbury appeared in what would be her most famous acting role, that of Jessica Fletcher in the long running series Murder, She Wrote. The show was an instant success for it’s format of a sweet old lady who lives in a quiet town that none-the-less is packed with murderers, and this dear old woman goes and solves them. Lansbury was 58 when she took the role, older than any actor to play the Doctor to date, and carried on with the role until 1996 where it was cancelled, a month before her 71st birthday.


Lansbury sleuths.

Twelve years may seem dizzying to think about, but that’s a mere holiday compared with the longevity of some actors. William Roache is instantly recognisable for his ever presence in popular ITV soap Coronation Street. He first appeared in 1960 and in the last 50 years he’s been twice widowed, married four times, had 27 women and had a ton of other washy soap story lines thrown at him too. Likewise Betty Driver, has played Betty Williams since 1969, she continues to do so, now aged 90, and has stated following an interview she intends to play the role until she dies.


So, if all these successful shows have such long standing cast, why on earth are the tenures of the Doctors so pitiful by comparison? Does the very idea of a lineage to the role put pressure on the actors playing it? Or is it down to individual circumstances?


William Hartnell was the original, and to many still best, Doctor. He took the role when he was 55 and was known to have a number of health problems even then. By the fourth season it was becoming evident Hartnell’s condition was deteriorating, and thus the process of regeneration was born, as at the end of the Tenth Planet, Hartnell dissolved into Troughton.


The Cybermen and regeneration are born. Patrick Troughton was a much younger, fitter (and some would say cheaper) actor to take on the role, no doubt with the intention of getting some mileage out of him. In interviews made for Myth Makers the cast and crew reflect on both his generous personality and how the work would wear at him from time to time. One of the conditions that made him leave at the end are indeed the feeling of being overworked by the BBC (if you should note, the number of episodes during Troughton’s era are almost double that of Davison’s era)


Jon Pertwee was the first Doctor to be seen in colour, and emerged freshly regenerated into an older man (how odd). Pertwee’s Doctor saw a radical departure from his predecessor in his portrayal as a straighter hero and a gadget man. Pertwee was at the time of his departure the longest serving actor, having played the role for 4 years. In his own words the catalyst for his departure included the departure of Katy Manning (Jo Grant), the death of Rodger Delgado (the first Master) and the imminent departure of Barry Letts, Jon also decided it was time to move on. Letts, a Buddhist, had fostered a family style relationship amongst the cast and crew, and with his decision to leave the show, Pertwee may well have felt that relationship would be destroyed.


One big happy family.

Tom Baker’s reason for leaving the show may seem obvious, as he is still the longest serving Doctor. Baker’s career at the time of joining was fairly dismal, as acting jobs were scarce and so he was having to make ends meet by working on a construction site. By his final season in 1981 Baker had noticeably aged (then 47), and the theme of entropy and decay were prevalent, perhaps reflecting the tired looking lead man somewhat. John Nathan-Turner’s approach to the show was to tone down the humour that had become prevalent during Williams tenure. Tom was used to getting his own way with Williams in charge, and Nathan-Turner wanted to reign him in, as he noted in 1993:

“I don’t want to make it sound as if we didn’t get on, we did get on. But we clashed. We clashed.” – John Nathan-Turner

In addition to this Baker saw that he was now an unwilling obstacle to the changes JNT wanted to implement, amongst his criticisms were the new theme tune he introduced, which he felt was too far removed from the original. Baker also made plain his opinion of the scripts during the period, such as in The Leisure Hive:

“So I say it’s a bad idea, and then despite it being a bad idea I throw this fucking dreary prop? Right, now let’s get on with it.” – Tom Baker

By 1981 after 7 years of “The Tom Baker Show” as it was coming to be known, Baker was tired and had enough. In a 2008 convention, when asked if he would ever return as the Doctor he stated “didn’t I do enough?”, he did however express regret at not taking part in The Five Doctors a few years following his departure.


Peter Davison was chosen as Tom’s replacement as a safe choice. His work on All Creatures Great and Small meant he was already well known and well liked to the British public.Baker was critical to the new direction being taken. The story behind his departure is comparatively bland, as he made a chance meeting with Patrick Troughton who urged him to only do three years, and so when his contract expired he didn’t renew it and passed on the baton to Colin. Peter did however express some irritation that Nicola Byrant’s boobs stole his final shot.


Doctor number six had a turbulent time as he was criticised at every turn for every move he made. The show became so shaky at this time it was put on hiatus for a year. Eventually the BBC unceremoniously dismissed Colin to be done with all the earache. Colin refused to partake in the regeneration and so Sylvester McCoy famously donned his predecessors clothes and a blonde curly wig. The exact reason for Colin’s dismissal has never been disclosed.

The guys on the sixth floor wanted rid of it. They’d always wanted rid of it, because it got in the way of them making programmes that would make their name, make their career, give them immortality” – Sylvester McCoy

At the time of Sylvester’s tenure he was given a show that was dying, or more specifically, it was being killed. McCoy felt the show wasn’t being given the support it deserved, and felt that towards the end of the series the stories were certainly improving. The BBC however saw of it as an obstacle and an embarrassment. The series ended in 1989.


Wind the clock forward 7 years and McCoy returned to pass on the baton to Paul McGann. After Colin’s refusal to film a regeneration McCoy made a vow that he would be available to film his no matter what, though he probably wasn’t expecting to have to wait so long. His feelings on the 1996 film however was that it was too big and complicated, and maintains that he shouldn’t have been in it at all. He did however say the money was good.


So much promise...

Doctor Who properly returned in 2005 and Paul McGann was nowhere to be seen. Russel T. Davies cites this as a sort of correction to the errors made in 1996. Having Paul McGann pop in for two minutes then get blown up would lack any form of drama, the show had been absent for 9 years and there would be no investment in the character before he was replaced. Paul has yet to show us how his regeneration took place, or even give us a second on screen appearance.


Christopher Eccleston’s departure is altogether more of a mystery. After one episode was aired Eccleston announced he wouldn’t return for a second season, much to the disappointment of several reviewers who had cited Chris as a “Doctor the kids will remember”. Eccleston himself was never one for money or fame, but prefers a more solitary existence, one which the job didn’t really grant. His only disclosure on why he left was that he was uncomfortable with the “atmosphere” with the show. Whilst some rather narrow minded people have read this as a streak of homophobia (somehow), it’s far more likely the job was too mainstream for a quite privative man.


No looking back.

David Tennant is probably one of the most learned actors to play the role of the Doctor, having an encyclopaedic knowledge of the man. It’s fairly safe to say this would seem to make him a prime candidate for sticking around That and the constant musings that it was the best job going. Even I had few doubts he’d have a good attack at the Tom Baker mantle. However after only three series as the Doctor he decided to give it up. His reasons are quite similar to those of Jon Pertwee, all the cast and crew were about to leave and, although working with Moffat was “tempting”, Tennant decided to bow out in 2010 and take the TARDIS with him.


Various rumours are now flying around that Smith will remain in the role until 2013 to celebrate the 50th anniversary. Amongst reasons given was the hope to stabilise an almost over dynamic show. Whilst I know that staying on a show for 4 years hardly seems like a big ask, I still have myself wondering if he’ll bow out sooner. It seems to be the curse of the Doctor.

22 Aug 2010

Robot

“But Doctor you can’t just go!”
”Can’t? Can’t?! There’s no such word as can’t! Why not?”
”Well… well because you’re not fi… because um, the Brigadier needs you, don’t you?”
”What? Oh yes of course! Depending on you.”
”What for?”
”Well um, there’s been this robbery hasn’t there Brigadier? Um, some kind of top secret weapon”
”Ah yes, very serious business”
”I mean you are still UNIT scientific advisor, remember? I mean you can’t go rushing off and leaving them in the lurch!”
”Can’t I? Goodbye!” – Sarah Jane, The Doctor and Lethbridge Stewart.

After Barry Lets and Katy Manning fucked off, Jon Pertwee decided it was time to up and go too. In steps Tom Baker, and as we discovered, he wasn’t going to budge any time soon. This episode has all the hallmarks of a good introduction, using a classic sci-fi premise, and plenty of humour. Baker wastes no time in establishing himself as the new bloke on the block, his first lines in the show make it clear the fourth Doctor is going to be a very different man whilst also paying homage to his predecessor by repeating lines he spoke to the Brigadier some episodes back.

The Brigadier of course was associated with the second Doctor and so was aware at least the Doctor can change his body from time to time. The fact that Sarah-Jane, a relatively new companion at this point doesn’t even blink at the idea of regeneration, a quick description is enough and any chance of drama here is thrown in the bin.

The Doctor’s regeneration has knocked him sideways a bit and as K’anpo warned us the Doctor isn’t completely stable, sneaking out of sickbays and tying up doctors makes for a nice bit of comic relief, but whilst the Doctor is still regenerating and evil walking trash can is lifting top secret material from filing cabinets. My real quarrel with it though isn’t the shaky design or the clichéd story line, it’s this: why the fuck did the phone explode?!"All systems go!"

After a giggle worthy scene of wardrobe searching the game is a foot, and the Doc is keen to impress. Upon investigation at the scene of the crime he ignores the fence that the Brig is so fascinated by and instead opts for a pulverised dandelion, asserting it was crushed by something weighing a quarter of a ton. In addition to that the Doctor is able to piece together the stolen components are key in constructing a disintegrator, which surprises the Brig no end. This scene shows the badly missed potential of the robot, in giving it away so blatantly, both in the over suggestive title and the fact we’ve already seen the damn thing, a big piece of mystery is ruined, so much more drama could have been achieved in saving up the Robot, but oh no. It’s almost as if they didn’t think before they wrote the script.

Meanwhile Sarah is being a good little snoop, I mean journalist, and having a look round Think Tank, a seemingly innocent scientific construction group that totally aren’t related to the robberies of all this top secret information. I think I’d have preferred if they weren’t in anyway related, just to be original. Mainly Sarah spends her time seriously sticking her foot in it by mentioning the new disintegrator gun and barging into rooms, being really rather rude in the process. Her later return to the factory is almost cringe worthy in it’s blatant attempts to get Sarah caught, however her discovery of the robot does make an interesting bit of television as it’s very apparent something more is happening at Think Tank.

The Doctor meanwhile is having better luck with the Robot, managing to shift UNIT to the location of the third vital piece of technology. UNIT spends it’s time being pretty bloody useless at stopping a ‘very large rat’ from burrowing in and taking what it wants, which means whoever’s behind all this is now armed and dangerous.

Sarah is meanwhile working on her leads and heads to Professor Kettlewell who was once associated with Think Tank before he went against conventional science. The meeting that takes place is tense and shows Kettlewell has something to hide through his paranoid aversion of Sarah’s questions, before quite abruptly and rather rudely telling her to leave him alone. Curiosity kills the cat, or very nearly as Think Tank’s ‘demonstration’ scares the shit out of Sarah, rather satisfyingly I found, and after that she goes in for seconds! The whole opener to Episode 2 is terribly clichéd with Sarah making enquiries about whether it feels emotions.Let's play Scene It! Sarah is put into her place as the director makes plain her position as a guest. The serial does at least put into practice the theorised prime directive of intelligent artificial life. The deal struck between the director and Sarah adds to the suspicion of the viewer about Think Tank.

The Doctor’s investigation deepens the mystery before offering timely clarification of who or what could be behind the thefts. Aliens couldn’t of course, nor could an opposing government, making for the interesting paradox that the only people who could do it wouldn’t want to. However, combined with Sarah’s information the finger soon points towards Think Tank. A pretty dragged out conclusion. Meanwhile the already obvious is confirmed, Think Tank are using the Robot for petty theft and murder.

The relationship between the Robot and Kettlewell is quite sweet really. Kettlewell comments early on that ordering the robot to be dismantled was like “putting my own son to death”. Later we see how Sarah’s assertion of the Robot’s feelings weren’t so farfetched as the Robot comes home crying to daddy and is really quite distressed, however Sarah is informed by Kettlewell of the Robot’s return and lures her in.

The SRS soon come onto the picture and are a clear allegory to the USSR. Their clear fascist ideology is almost funny if it wasn’t so offensive. To cut a long story short Think Tank are essentially the heart of the SRS and effect an attempt to take over the world with the use of nuclear arms. Cold War anyone? The fascist thinking of the story isn’t the only contemporary bit rammed in, as environmentalism is also placed mainly through Kettlewell’s new thinking research, solar and wind power amongst it.

The Robot’s eventual rampage is also keen with allusions, but the main one is rather clearly King Kong, and this is from someone who’s never watched it. The allusion itself is really quite funny in how apparent it is, and whether accidental or on purpose, it’s a miracle the BBC got away with that one. The scene is also home to one of the most pathetic effects in the history of the show, that of the infamous toy tank, it’s comedy gold. The ‘death’ of the robot is in its own way a bit sad, as it’s the demise of a confused and manipulated character, rather than one that’s straightforward evil, for this at least, the story is quite original. Oh! I never mentioned Harry did I? Yeah, there’s a reason for that…

18 Aug 2010

Watch Classic Who.

Doctor Who DVD's can leave a strain on the wallet if you want a series, and add to that some series aren't yet complete as the serials released seem to be more or less random. Well fear no more!

Tardismedia on Daily Motion has uploaded all the stories of Classic Doctor Who, and to boot they're all compiled into playlists, so you don't need to go searching for the next part.

Happy watching and don't forget to enter the Cat pin competition.

17 Aug 2010

The Skin Dilemma

Well, we’ve run into another problem with the look of the blog, and I’ve decided to put it to a vote, so below are 4 skins to choose from, and a corresponding poll to your right. Let voting commence!

skin 1

skin 2

Skin 3

skin 4

Catpin Quiz reminder

As the Sixth Doctor marathon comes to a close an ever present part of it is now up for your scrutiny. The winner will be chosen by the classic hat method and will win the opportunity to request a review of an episode, so without further ado, Can you spot all the references to the Sixth Doctor in the logo below?

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Message your answers to my email whatdoyaputinherethen@hotmail.co.uk. Good luck

Tits in the TARDIS


Doctor Who has been gaining an increasing amount of scrutiny for it's sexual content, and this, though not the fault of the writers, might be seen as the epitome of it. That said, is it a bad thing?
Alas Karen Gillan shan't be whipping her own jugs out, but it still promises to tantalise and ... tantalise.



16 Aug 2010

The Trial of a Timelord: The Ultimate Foe or Time Inc.

 

sixlogo  25

 aa69

“In all my travels across the universe I have battled against evil, against power mad conspirators. I should have stayed here! The oldest civilisation, decadent, degenerate and rotten to the core! Power mad conspirators; Daleks, Sontarans, Cybermen! They’re still in the nursery compared with us! Ten million years of absolute power: that’s what it takes to be really corrupt.” – The Doctor

The Ultimate Foe concludes the Sixth Doctor’s tenure, and it’s an interesting piece of television. This two part conclusion ties together all the threads of the previous three adventures, bringing in Sabalom and Mel as witnesses for the Doctor by request of the Master, who has some interesting revelations to make of his own.

 

The Master makes a somewhat unexpected and clichéd return to Doctor Who having last been paired with the Rani and once again seemingly doomed. How does he do it? Anyway there’s no time for that because the Master has gained access to the Matrix with comparative ease to the Keeper’s claims of it being truly impenetrable. As is the effect for the matrix looks rather like a child’s birthday at Alphabet Zoo mixed with a bad LSD trip. The Master’s appearance also marks yet another clichéd villain performance courtesy of the slightly obsessed Anthony Ainley, who was reported to have only played the Master because he enjoyed the role, so much some rumours have it he would answer the phone by saying “This is the Master speaking” and then cackle down the phone. It’s a mad old world.

 

As it is the Master has some juicy gossip, and goes on to explain that Ravalox was indeed Earth (as we’d by now guessed) but the reason for it’s movement was altogether more complex. Earth had been used as the repository for the scientific secrets that were being secretly peddled from the Matrix. As soon as the Timelords got wind of this they decided to shift the planet two lightyears from it’s original position, putting it in the way of the fireball that ravaged the planet. Naturally the keeper maintains the Matrix is impenetrable as he knows all too well the inverse is correct. Shame JNT Didn't throw another party, he might have renewed Colin's contract...

 

The Doctor’s final performance is as acidic as we’ve come to expect from the Sixth Doctor beginning with his typical childish tirades in the courtroom, he at least silences himself somewhat as he begins to take on the Valeyard, The Master of course has one more quick revelation to make before he departs, the Valeyard, much like the Dream Lord, is a manifestation of the Doctor’s dark side somewhere between his twelfth and final regeneration. Well lovely. Anyway this all means the trial has all been a bit of a waste of time and you can’t help but feel that your time has been wasted slightly as well. But never mind that there’s a matrix to save! The Valeyard has gone mad and for some reason now moves by disappearing and reappearing. We never actually get an explanation as to why this power has suddenly manifested itself, it just has: live with it.

 

The Doctor’s two companions really should have done a Martha and fucked off whilst the going was good. As it is Sabalom ends up being more of a hindrance than an asset to the Doctor and his constant financial banter reminiscent of a galactic Del Boy brings agony to my ears every time this wretch of a recurring character speaks. Mel doesn’t get off lightly either though, as in her opening moments all the playful dialogue she was gifted with in the previous serial has now evaporated, replaced by the kind of cringe-inducing gibberish you’d expect the tea boy to come out with at the office party whilst trying to drunkenly butter up the boss. It’s that bad. Her physical aspects don’t help the Doctor out much either as she merely bumbles about like a decapitated cow, running into problems and making a poor show of solving them. And her voice sounds like a cat in a trash masher.

 

The Doctor must then solve the day with a psychotic version of himself, a Scottish bloke with a ridiculous beard, a cosmic wheeler dealer and the reincarnation of Barbara Cartland. That said it doesn’t deter him from his duty, and that duty is to prowl around some admittedly quite creepy streets coming up with a plan to stop two psycho’s in one. Indeed the Valeyard’s ultimate contraption is the usual neo Nazi bullshit you’d expect from late 80’s Who,  which the Doctor duely solves by tinkering with a machine and causing a random explosion. It’s a shame this Doctor could have gone out on a high, had it not been for those two final words: “Carrot Juice?”. Add all this together and the show is really starting to show it’s age. Good luck Sylvester…